Tuesday evening, I’m listening to Face to Face by the Kinks. This was my friend Graham’s favorite Kinks album back in high school. I had some of these songs on Kinks Kronicles but now I finally own the whole album. It’s a good one. I have also been enjoying the Crystal Stilts, Golden Animals, and Kraftwerk’s Ralf und Florian album.
We have been rehearsing for the next performance of our Andy Warhol Screen Test project, this Saturday night at the Allen Room (part of Lincoln Center’s American Songbook series). The Warhol films are going to look beautiful in this setting, framed by a giant window that looks out on Columbus Circle. Later this month we take the Screen Test project on the road, with shows in San Francisco, Seattle, Vancouver, Chicago, Minneapolis, Boston and Mass MoCA in Western Massachusetts. Later in the year we expect to be playing European dates too. There will be a DVD of this project (likely in March), but the Warhol films look extra special on the big screen, and with the live band.
Our soundtrack EP is now available for download from our webstore for $2.99. It contains two instrumental pieces from The Squid & the Whale, my version of Pink Floyd’s “Hey You,” which I recorded to teach the song to Jesse Eisenberg (who sings it in the film), plus two other short instrumentals from Just Like the Son. Total running time is just under 14 minutes.
We are excited about the first signing to our Double Feature label – the Sand Pebbles, Australia’s most intriguing band. February 17 we release A Thousand Wild Flowers, a compilation of the best songs from three extremely rare albums by the band. They describe their sound as flower punk – equal parts Buffalo Springfield and Wire. We met bassist Christmas Hollow a few years back while doing an interview for their excellent webzine, Tarantula! Chris sent us their Ghost Transmissions album (now out of print) and we have been fans, and friends, ever since. I contributed guitar to one of their albums, and the Pebbles did a great remix for our Variations EP last year. These guys have an unusual pedigree for a rock band — they met, as scriptwriters, on the set of the Australian soap opera Neighbours. After long days of scriptwriting, they would occasionally spend evenings jamming in an empty Tae-Kwon-Do studio, before graduating to a chill-out room at raves. I am not making this up. You can pre-order the album from our webstore.
Further down the road – March 31 we are releasing the debut by Cheval Sombre, produced by Sonic Boom, with musical contributions from Britta and myself. This CD contains tracks from his out-of-print 7” singles (issued on the UK label, Static Caravan), and a whole lot more.
Dean Wareham
January 13, 2009
